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Class 8 English Honeydew Lesson 7 A Visit to Cambridge – Summary, NCERT Solutions

Class 8 • Honeydew • Lesson 7: A Visit to Cambridge

Bilingual Summary, Writer, Characters & Original NCERT Q&A (English + Hindi)

Summary

English

A Visit to Cambridge is a travelogue by Firdaus Kanga, a Mumbai-based writer who is physically challenged. He visits Cambridge and meets the legendary physicist Stephen Hawking. The meeting reveals Hawking’s courage and humour despite severe disability. Their conversation leaves the author inspired: physical limitations cannot cage the human spirit; real strength lies in focusing on what one can do best.

हिंदी

“A Visit to Cambridge” फिरदौस कांगा का यात्रा-वृत्तांत है। वे कैम्ब्रिज में महान वैज्ञानिक स्टीफन हॉकिंग से मिलते हैं। गम्भीर विकलांगता के बावजूद हॉकिंग का साहस, विनोदबुद्धि और लगन लेखक को प्रेरित करती है। संदेश स्पष्ट है—शारीरिक सीमाएँ आत्मा की ज्योति और प्रतिभा को नहीं रोक सकतीं; हमें उसी पर ध्यान देना चाहिए जो हम सबसे अच्छा कर सकते हैं।

Writer

About the Writer — Firdaus Kanga

  • Indian writer & journalist from Mumbai; lives with brittle bone disease.
  • Known for Trying to Grow (semi-autobiographical; later adapted to film).
  • His work blends courage, humour and sensitivity toward disability & society.
सार: लेखक बताता है कि हौसला और दृष्टि शारीरिक सीमाओं से बड़ी होती है।
Characters

Main Figures

  • Firdaus Kanga — Narrator; physically challenged; seeks inspiration.
  • Stephen Hawking — World-renowned physicist; ALS; symbol of courage & intellect.
  • Cambridge — Backdrop of scholarship; “real England” in the writer’s eyes.

Class 8 • Honeydew • Lesson 7 — A Visit to Cambridge (Original Questions + Answers)

Questions exactly as in the book • Answers student-friendly (EN + simple Hindi mix)

Comprehension Check
Which is the right sentence?

1. “Cambridge was my metaphor for England.” To the writer,
(i) Cambridge was a reputed university in England.
(ii) England was famous for Cambridge.
(iii) Cambridge was the real England.

2. The writer phoned Stephen Hawking’s house
(i) from the nearest phone booth.
(ii) from outside a phone booth.
(iii) from inside a phone booth.

3. Every time he spoke to the scientist, the writer felt guilty
because
(i) he wasn’t sure what he wanted to ask.
(ii) he forced the scientist to use his voice synthesiser.
(iii) he was face to face with a legend.

4. “I felt a huge relief... in the possibilities of my body.” In the
given context, the highlighted words refer to
(i) shifting in the wheelchair, turning the wrist.
(ii) standing up, walking.
(iii) speaking, writing.
Answers:
  1. (iii) Cambridge was the real England.
  2. (iii) from inside a phone booth.
  3. (ii) he forced the scientist to use his voice synthesiser.
  4. (i) shifting in the wheelchair, turning the wrist.

यही विकल्प पाठ के विचार से मेल खाते हैं।

Answer the following questions.

1. (i) Did the prospect of meeting Stephen Hawking make the writer nervous?
If so, why?
(ii) Did he at the same time feel very excited? If so, why?

2. Guess the first question put to the scientist by the writer.

3. Stephen Hawking said, “I’ve had no choice.” Does the writer think there
was a choice? What was it?

4. “I could feel his anguish.” What could be the anguish?

5. What endeared the scientist to the writer so that he said he was looking at
one of the most beautiful men in the world?

6. Read aloud the description of ‘the beautiful’ man. Which is the most beautiful
sentence in the description?

7. (i) If ‘the lantern’ is the man, what would its ‘walls’ be?
(ii) What is housed within the thin walls?
(iii) What general conclusion does the writer draw from this comparison?

8. What is the scientist’s message for the disabled?

9. Why does the writer refer to the guitar incident? Which idea does it
support?

10. The writer expresses his great gratitude to Stephen Hawking. What is the
gratitude for?

11. Complete the following sentences taking their appropriate parts from both
the boxes below.
(i) There was his assistant on the line ...
(ii) You get fed up with people asking you to be brave, ...
(iii) There he was, ...
(iv) You look at his eyes which can speak, ...
(v) It doesn’t do much good to know ...

A
tapping at a little switch in his hand
and I told him
that there are people
as if you have a courage account
and they are saying something huge and urgent

B
trying to find the words on his computer.
I had come in a wheelchair from India.
on which you are too lazy to draw a cheque.
smiling with admiration to see you breathing still.
it is hard to tell what.
  1. (i) Yes, he was nervous—क्योंकि वह एक महान वैज्ञानिक और विश्व-प्रसिद्ध व्यक्तित्व से मिलने जा रहा था, और उसे डर था कि कहीं वह असुविधा न पहुँचा दे या ठीक ढंग से बात न कर पाए।

    (ii) Yes, he was very excited too—क्योंकि एक legend से मिलना जीवन का विशेष अवसर था।

  2. First question (guess): “Do you find it annoying when people say you are very brave?” / “How do you manage so bravely?” — इसी पर Hawking ने कहा, “I’ve had no choice.”

  3. Yes, the writer thinks there was a choice. कोई व्यक्ति या तो घर बैठकर अपनी स्थिति पर तरस खा सकता है, or काम जारी रखकर अपनी क्षमता पर ध्यान दे सकता है; Hawking ने काम/विज्ञान को चुना।

  4. Anguish: बोलने के लिए voice synthesiser पर निर्भरता, संचार की धीमी गति, और शारीरिक सीमाओं की पीड़ा—यह सब भीतर का कष्ट था जिसे लेखक महसूस करता है।

  5. Endearing quality: उनकी स्पष्टता, विनम्रता, मुस्कराहट, और अद्भुत बुद्धि/आत्मबल—यही inner beauty लेखक को “दुनिया के सबसे सुन्दर पुरुषों में से एक” दिखाती है।

  6. Most beautiful sentence: वह वाक्य जहाँ लेखक ‘सुन्दर’ व्यक्ति को भीतर की रोशनी/आत्मा (lantern-like glow) के रूप में देखता है—क्योंकि यह दिखाता है कि असली सुन्दरता भीतर की है। (यह चयन छात्र-आधारित है; किसी भी ‘inner glow/lantern’ वाली पंक्ति को चुना जा सकता है.)

  7. (i) ‘Walls’ = the body (शरीर)।
    (ii) Within the thin walls = the mind/spirit/genius (भीतर की रोशनी/आत्मा)।
    (iii) Conclusion: असली महत्ता शरीर की नहीं, भीतर की क्षमता/आत्मा की है—inner beauty > outer form.

  8. Message for the disabled: “Focus on what you are good at.” अपनी कमजोरियों पर नहीं, अपनी क्षमताओं पर ध्यान दें; मन/आत्मा को कभी अपंग न होने दें।

  9. Guitar incident: लेखक ने शारीरिक कठिनाई के कारण गिटार छोड़ दिया था; यह उदाहरण बताता है कि हमें हार नहीं माननी चाहिए और अपनी ताकतों पर काम जारी रखना चाहिए—Hawking के संदेश का समर्थन।

  10. Gratitude: समय देने, प्रेरित करने, और लेखक के दृष्टिकोण को बदल देने के लिए—कि जीवन सीमाओं के बावजूद सार्थक और रचनात्मक हो सकता है।

  11. Match the parts (A + B):

    1. There was his assistant on the line … — and I told him (A) + I had come in a wheelchair from India. (B)
    2. You get fed up with people asking you to be brave, … — as if you have a courage account (A) + on which you are too lazy to draw a cheque. (B)
    3. There he was, … — tapping at a little switch in his hand (A) + trying to find the words on his computer. (B)
    4. You look at his eyes which can speak, … — and they are saying something huge and urgent (A) + it is hard to tell what. (B)
    5. It doesn’t do much good to know … — that there are people (A) + smiling with admiration to see you breathing still. (B)

1. Fill in the blanks (word-forms)

guide succeed chair travel pale draw true
(i) I met a ____________ from an antique land.
(ii) I need special ____________ in mathematics. I can’t count the number
of times I have failed in the subject.
(iii) The guide called Stephen Hawking a worthy ____________ to Issac
Newton.
(iv) His other problems ____________ into insignificance beside this
unforeseen mishap.
(v) The meeting was ____________ by the youngest member of the board.
(vi) Some people say ‘yours ____________’ when they informally refer to
themselves.
(vii) I wish it had been a ____________ match. We would have been spared
the noise of celebrations, at least.
  1. traveller
  2. guidance
  3. successor
  4. paled
  5. chaired
  6. truly
  7. drawn

2. Make “-ing” phrases

walk stick → ..a walking stick
Now make six such phrases using the words given in the box.
read/session  •  smile/face  •  revolve/chair
walk/tour     •  dance/doll  •  win/chance
reading session
smiling face
revolving chair
walking tour
dancing doll
winning chance

3. Use all or both

(i) He has two brothers. _______ are lawyers.
(ii) More than ten persons called. _______ of them wanted to see you.
(iii) They _______ cheered the team.
(iv) _______ her parents are teachers.
(v) How much have you got? Give me _______ of it.
  1. Both
  2. All
  3. All
  4. Both
  5. All

4. Right form of adjectives

(i) My friend has one of the _______ cars on the road. (fast)
(ii) This is the _______ story I have ever read. (interesting)
(iii) What you are doing now is _______ than what you did yesterday. (easy)
(iv) Ramesh and his wife are both _______. (short)
(v) He arrived _______ as usual. Even the chief guest came _______ than
he did. (late, early)
  1. fastest
  2. most interesting
  3. easier
  4. short
  5. late, earlier

Pronunciation – stress help (support)

Book asks to underline stressed syllables. Helpful marking (bold = primary stress):

artist, mistake, accident, moment

compare, satisfy, relation, table

illegal, agree, backward, mountain

(* Stress may vary by accent; these are standard choices.)

End of Lesson 7 Q&A • A Visit to Cambridge

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